Is it sacrilege to declare that the best-looking cinématographe set in Paris was shot by a couple of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French richesse – as well as the neoclassical edifices of Mussolini’s Rome – in relax blues and shards of light as sharp https://e-books89012.myparisblog.com/33265050/la-règle-2-minutes-pour-support-client-réactif